Choir Singers Without Rehearsals and Concerts? A Questionnaire Study on Perceived Losses From Restricting Choral Singing During the Covid-19 Pandemic.
Identifieur interne : 000201 ( Main/Exploration ); précédent : 000200; suivant : 000202Choir Singers Without Rehearsals and Concerts? A Questionnaire Study on Perceived Losses From Restricting Choral Singing During the Covid-19 Pandemic.
Auteurs : Töres Theorell [Suède] ; Jan Kowalski [Suède] ; Ann Mari Lind Theorell [Suède] ; Eva Bojner Horwitz [Suède]Source :
- Journal of voice : official journal of the Voice Foundation [ 1873-4588 ] ; 2020.
Abstract
BACKGROUND
Choir singing is an activity that engages individuals all over the world with a broad demographic representation. Both qualitative and quantitative studies have examined the benefits of the activity but very few have examined the effects when someone loses access to it and stops singing.
OBJECTIVES
Examining the governmental and organisational responses precipitated by the COVID-19 pandemic, we asked what happens when a choir singer loses all of their routines associated with regular participation in choir singing.
MATERIALS AND METHODS
One national choir organization in Sweden (n = 3163) and one in Norway (n = 1881) were approached with a short survey. This comprised questions relating to the issue "what do you as a choir singer misses the most?" Each participant was asked to rate the importance of a number of elements that pertain to the experience of choir singing.
RESULTS
The social aspect of singing emerged as having the strongest weight in terms of perceived loss that is, it was the element that the participants missed the most. Professional singers report that they miss the aesthetic experiences, flow, and all the physical aspects (physical training, voice training, and breathing training) to a greater degree as compared to reports from the amateurs. The importance of aesthetic experiences and physical components appeared to rise with increasing number of years that an individual had engaged with choir singing.
CONCLUSION
In the Scandinavian setting, the social aspect has a stronger weight than the other components and this seemed to be more significant in Norway compared to Sweden.
DOI: 10.1016/j.jvoice.2020.11.006
PubMed: 33288380
Affiliations:
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A Questionnaire Study on Perceived Losses From Restricting Choral Singing During the Covid-19 Pandemic.</title><author><name sortKey="Theorell, Tores" sort="Theorell, Tores" uniqKey="Theorell T" first="Töres" last="Theorell">Töres Theorell</name><affiliation wicri:level="3"><nlm:affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of International Health, Karolinska Institutet, Stockholm, Sweden.</nlm:affiliation><country xml:lang="fr">Suède</country><wicri:regionArea>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of International Health, Karolinska Institutet, Stockholm</wicri:regionArea><placeName><settlement type="city">Stockholm</settlement><region nuts="2">Svealand</region></placeName></affiliation></author><author><name sortKey="Kowalski, Jan" sort="Kowalski, Jan" uniqKey="Kowalski J" first="Jan" last="Kowalski">Jan Kowalski</name><affiliation wicri:level="3"><nlm:affiliation>Senior Consultant in Biostatistics, Stockholm, Sweden.</nlm:affiliation><country xml:lang="fr">Suède</country><wicri:regionArea>Senior Consultant in Biostatistics, Stockholm</wicri:regionArea><placeName><settlement type="city">Stockholm</settlement><region nuts="2">Svealand</region></placeName></affiliation></author><author><name sortKey="Theorell, Ann Mari Lind" sort="Theorell, Ann Mari Lind" uniqKey="Theorell A" first="Ann Mari Lind" last="Theorell">Ann Mari Lind Theorell</name><affiliation wicri:level="3"><nlm:affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden.</nlm:affiliation><country xml:lang="fr">Suède</country><wicri:regionArea>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm</wicri:regionArea><placeName><settlement type="city">Stockholm</settlement><region nuts="2">Svealand</region></placeName></affiliation></author><author><name sortKey="Horwitz, Eva Bojner" sort="Horwitz, Eva Bojner" uniqKey="Horwitz E" first="Eva Bojner" last="Horwitz">Eva Bojner Horwitz</name><affiliation wicri:level="1"><nlm:affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of Clinical Neuroscience, Karolinska Institutet, Stockholm, Sweden; Center for Social Sustainability, Institution of Neurobiology, Care Sciences and Society, Karolinska Institutet, Sweden. Electronic address: eva.bojner-horwitz@kmh.se.</nlm:affiliation><country xml:lang="fr">Suède</country><wicri:regionArea>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of Clinical Neuroscience, Karolinska Institutet, Stockholm, Sweden; Center for Social Sustainability, Institution of Neurobiology, Care Sciences and Society, Karolinska Institutet</wicri:regionArea><wicri:noRegion>Karolinska Institutet</wicri:noRegion></affiliation></author></analytic><series><title level="j">Journal of voice : official journal of the Voice Foundation</title><idno type="eISSN">1873-4588</idno><imprint><date when="2020" type="published">2020</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p><b>BACKGROUND</b></p><p>Choir singing is an activity that engages individuals all over the world with a broad demographic representation. Both qualitative and quantitative studies have examined the benefits of the activity but very few have examined the effects when someone loses access to it and stops singing.</p></div><div type="abstract" xml:lang="en"><p><b>OBJECTIVES</b></p><p>Examining the governmental and organisational responses precipitated by the COVID-19 pandemic, we asked what happens when a choir singer loses all of their routines associated with regular participation in choir singing.</p></div><div type="abstract" xml:lang="en"><p><b>MATERIALS AND METHODS</b></p><p>One national choir organization in Sweden (n = 3163) and one in Norway (n = 1881) were approached with a short survey. This comprised questions relating to the issue "what do you as a choir singer misses the most?" Each participant was asked to rate the importance of a number of elements that pertain to the experience of choir singing.</p></div><div type="abstract" xml:lang="en"><p><b>RESULTS</b></p><p>The social aspect of singing emerged as having the strongest weight in terms of perceived loss that is, it was the element that the participants missed the most. Professional singers report that they miss the aesthetic experiences, flow, and all the physical aspects (physical training, voice training, and breathing training) to a greater degree as compared to reports from the amateurs. The importance of aesthetic experiences and physical components appeared to rise with increasing number of years that an individual had engaged with choir singing.</p></div><div type="abstract" xml:lang="en"><p><b>CONCLUSION</b></p><p>In the Scandinavian setting, the social aspect has a stronger weight than the other components and this seemed to be more significant in Norway compared to Sweden.</p></div></front></TEI><pubmed><MedlineCitation Status="Publisher" Owner="NLM"><PMID Version="1">33288380</PMID><DateRevised><Year>2020</Year><Month>12</Month><Day>08</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1873-4588</ISSN><JournalIssue CitedMedium="Internet"><PubDate><Year>2020</Year><Month>Dec</Month><Day>04</Day></PubDate></JournalIssue><Title>Journal of voice : official journal of the Voice Foundation</Title><ISOAbbreviation>J Voice</ISOAbbreviation></Journal><ArticleTitle>Choir Singers Without Rehearsals and Concerts? A Questionnaire Study on Perceived Losses From Restricting Choral Singing During the Covid-19 Pandemic.</ArticleTitle><ELocationID EIdType="pii" ValidYN="Y">S0892-1997(20)30422-7</ELocationID><ELocationID EIdType="doi" ValidYN="Y">10.1016/j.jvoice.2020.11.006</ELocationID><Abstract><AbstractText Label="BACKGROUND" NlmCategory="BACKGROUND">Choir singing is an activity that engages individuals all over the world with a broad demographic representation. Both qualitative and quantitative studies have examined the benefits of the activity but very few have examined the effects when someone loses access to it and stops singing.</AbstractText><AbstractText Label="OBJECTIVES" NlmCategory="OBJECTIVE">Examining the governmental and organisational responses precipitated by the COVID-19 pandemic, we asked what happens when a choir singer loses all of their routines associated with regular participation in choir singing.</AbstractText><AbstractText Label="MATERIALS AND METHODS" NlmCategory="METHODS">One national choir organization in Sweden (n = 3163) and one in Norway (n = 1881) were approached with a short survey. This comprised questions relating to the issue "what do you as a choir singer misses the most?" Each participant was asked to rate the importance of a number of elements that pertain to the experience of choir singing.</AbstractText><AbstractText Label="RESULTS" NlmCategory="RESULTS">The social aspect of singing emerged as having the strongest weight in terms of perceived loss that is, it was the element that the participants missed the most. Professional singers report that they miss the aesthetic experiences, flow, and all the physical aspects (physical training, voice training, and breathing training) to a greater degree as compared to reports from the amateurs. The importance of aesthetic experiences and physical components appeared to rise with increasing number of years that an individual had engaged with choir singing.</AbstractText><AbstractText Label="CONCLUSION" NlmCategory="CONCLUSIONS">In the Scandinavian setting, the social aspect has a stronger weight than the other components and this seemed to be more significant in Norway compared to Sweden.</AbstractText><CopyrightInformation>Copyright © 2020 The Voice Foundation. Published by Elsevier Inc. All rights reserved.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Theorell</LastName><ForeName>Töres</ForeName><Initials>T</Initials><AffiliationInfo><Affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of International Health, Karolinska Institutet, Stockholm, Sweden.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Kowalski</LastName><ForeName>Jan</ForeName><Initials>J</Initials><AffiliationInfo><Affiliation>Senior Consultant in Biostatistics, Stockholm, Sweden.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Theorell</LastName><ForeName>Ann Mari Lind</ForeName><Initials>AML</Initials><AffiliationInfo><Affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Horwitz</LastName><ForeName>Eva Bojner</ForeName><Initials>EB</Initials><AffiliationInfo><Affiliation>Department of Music, Pedagogy and Society, Royal College of Music, Stockholm, Sweden; Department of Clinical Neuroscience, Karolinska Institutet, Stockholm, Sweden; Center for Social Sustainability, Institution of Neurobiology, Care Sciences and Society, Karolinska Institutet, Sweden. 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